Monday, June 11, 2012

Internship Seminar - Community Arts

This blog, labeled as, Internship Seminar - Community Arts, contains my reflections from the readings, discussion and participation in this course, offered at Lesley University, from June - August, 2012.

June 11, 2012


In Images of Relationship, Carol Gilligan (1982) calls upon two opposite relational perspectives, the ethic of justice and the ethic of care to provide a lens through which she examines the moral basis for decision-making by two 6th grade students.   At the risk of oversimplifying, the ethic of justice is presented as an impersonal but logical perspective utilized by the male student to resolve a hypothetical moral dilemma while the ethic of care is presented as the perspective utilized by the female student, which relies upon the context of the situation, the relationships that connect the parties  and the communication that  connects them together.

In my work as a community arts practitioner, I have embraced the ethics of care perspective because I have witnessed the power of relationships and interpersonal connections that motivate and sustain individuals to dedicate themselves to issues, causes and projects that are important to them.  I believe that people can accomplish amazing things while overcoming formidable obstacles because of the support they derive from their relationships and connections with others.  Problems are resolved through unselfish actions and by individuals taking ownership of the problem.  A case in point.

Several years ago, when Cornerstone Performing Arts Center was faced with fiscal uncertainty due to low attendance at our performance events, we launched a successful “Pay What You Can” program, which accomplished two goals: it made our performances accessible to anyone who wanted to attend and it resulted in increased revenue from those who had the means to give more.   “Pay What You Can” is an expression of the ethics of care perspective because it leveled the playing field by providing access to every community member; no one was left out.   However, it also sent the message to the entire community that Cornerstone recognized that everyone’s situation is different and by doing so, it valued the uniqueness among city residents.  One can argue that the process of valuing the community’s collective uniqueness embraced the perspective of the ethics of justice, which no doubt appealed to many of our audience members.

5 comments:

  1. Hi Pete!
    Yes I can see what you mean about the "pay what you can" policy reflecting an ethic of care perspective. And I agree that relationships and the sense of contributing to a common vision can result in amazing accomplishments. I could see this in my own experience in developing the community-based art program in the Arlington public schools. This shift from working alone to working with many many volunteers, artists, artisans,architects, town planners, etc. changed a program that was mediocre at best to one that was exciting and dynamic for everyone, especially for the children. It is truly astonishing what can be done when people have a common vision. I'm amazed at your accomplishments at establishing two community arts organizations. You changed the lives of many people.

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    1. Hi Wendy, I just saw your comment today when I was on my blog. It sounds like you have experienced similar relationship-based arts- making in the Arlington public schools and the dynamic changes that resulted. Well done!

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  2. I really like that you said you identified with the ethic of care; it is even neater to see that you posted this before we gave our in-class presentations, because I can see so clearly how the ethic of care (and relationships between people) really have powered so much of where your community arts organizations have come to. And you illustrated the ideas of personal connections so well with the red yarn on your presentations boards!

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    1. Thanks Alicia, it's funny, buty that red yarn on my posters that you refer to, has become sort of a vibrant metaphor for me. It represents the tenuous, bold, empathetic connections we as artists make with each other, our audiences and our viewers etc

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